AR Rahman
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Allah Rakha Rahman (born January 6, 1967 as A.S. Dileep Kumar in Chennai, India) is a popular Indian film music composer. He made his debut with Mani Ratnam's movie, Roja (Rose) (1992) in Tamil and RamGopal Verma's movie Rangeela (Colourful) (1995) in Hindi.
Rahman is the only son of R. K. Sekhar, who was an arranger and conductor for Malayalam films. His father died when Rahman was nine years old and his family used to rent out the musical equipment to make ends meet. At the age of 11, Rahman joined the troupe of Indian composer Ilayaraja as a keyboard player. He later played on the orchestra of M.S. Vishwanathan and Ramesh Nadu, and accompanied Zakir Hussain and Kunnakudi Vaidyanathan on world tours. The experience allowed him to obtain a scholarship to the Trinity College of Music at Oxford University, where he received a degree in Western Classical Music.
In 1989, Rahman began his own studio (which was attached to his house), called the Panchathan Record Inn. He initially composed music for use in advertisements, the title music on popular Indian television channels, and in documentaries, among other projects. Rahman was, at first, hesitant about composing music for the Indian film industry primarily because most film makers at the time used songs as "fillers" or a means by which the audience was given a break from the movie's plot. In 1991 he was approached by film director Mani Ratnam, who offered Rahman the job as composer of music for his upcoming film Roja, at a price of Rs. 25,000. Rahman accepted, and the movie's superhit debut made him a household name in Tamil Nadu virtually overnight and led Rahman to receive the Rajat Kamal award for best music director at the Indian National Film Awards, the first time ever by a debutant. Rahman has since then gone on to win the award 3 more times (for Minsaara Kanavu in 1997, Lagaan in 2002 and Kannathil Muthamittal in 2003) the most ever by any composer.
A.R. Rahman combined the usage of technology and music. However, this usage of technology in music is sometimes dubbed as excessive and injurious by other music composers. But lately, Rahman has been successful in transcending such criticisms by creating his own style of composition by a symbiosis of the best elements of technology and the Indian classical instruments.
When Rahman arrived onto the Indian music scene with his first film Roja (1992), the music industry in India was going through a crisis with the retirement of older music composers and the lack of innovation in Indian film music. Roja was a massive hit, and Rahman followed it up with a number of other extremely popular films, including Bombay, Dil Se and Rangeela. The huge sales of these albums prompted movie producers to take film music more seriously. Today, Rahman is widely considered as the man who single-handedly revived public interest in Indian film songs in the 90's. The main reason why his songs were so popular was because everyone liked westernized Indian music.
Rahman's work is also unique in the fact that his collaborations with a few movie directors have always resulted in hugely successful albums. In particular, he has worked with Mani Ratnam on eight movies (until 2004) (see list of movies by Mani Ratnam featuring A R Rahman), all of which have been musical superhits. Also notable is his collaboration with the director Shankar (Gentleman, Kadhalan, Indian, Mudhalvan, Jeans and Boys).
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Lord Lloyd-Webber with A.R. RahmanHe made an album Vande Mataram (1996) on India's national song. Recently, he also came up with an album called Jana gana mana, a huge conglomeration of performances by all the leading exponents/artists of Indian classical music.
Lord Lloyd-Webber, a well known composer of musicals, was impressed with Rahman's unique style and therefore hired him to compose his maiden stage production Bombay Dreams (2002). This play was well received in England and opened him up to new vistas in Hollywood. Currently (as of May 2004) Rahman, along with the Finnish folk music band Toronto in March 2006.
Rahman received more international attention with this article (http://www.time.com/time/columnist/corliss/article/0,9565,1013198-1,00.html) in the [TIME] magazine. -
orhOriginally posted by AR Rahman:Allah Rakha Rahman (born January 6, 1967 as A.S. Dileep Kumar in Chennai, India) is a popular Indian film music composer. He made his debut with Mani Ratnam's movie, Roja (Rose) (1992) in Tamil and RamGopal Verma's movie Rangeela (Colourful) (1995) in Hindi.
Rahman is the only son of R. K. Sekhar, who was an arranger and conductor for Malayalam films. His father died when Rahman was nine years old and his family used to rent out the musical equipment to make ends meet. At the age of 11, Rahman joined the troupe of Indian composer Ilayaraja as a keyboard player. He later played on the orchestra of M.S. Vishwanathan and Ramesh Nadu, and accompanied Zakir Hussain and Kunnakudi Vaidyanathan on world tours. The experience allowed him to obtain a scholarship to the Trinity College of Music at Oxford University, where he received a degree in Western Classical Music.
In 1989, Rahman began his own studio (which was attached to his house), called the Panchathan Record Inn. He initially composed music for use in advertisements, the title music on popular Indian television channels, and in documentaries, among other projects. Rahman was, at first, hesitant about composing music for the Indian film industry primarily because most film makers at the time used songs as "fillers" or a means by which the audience was given a break from the movie's plot. In 1991 he was approached by film director Mani Ratnam, who offered Rahman the job as composer of music for his upcoming film Roja, at a price of Rs. 25,000. Rahman accepted, and the movie's superhit debut made him a household name in Tamil Nadu virtually overnight and led Rahman to receive the Rajat Kamal award for best music director at the Indian National Film Awards, the first time ever by a debutant. Rahman has since then gone on to win the award 3 more times (for Minsaara Kanavu in 1997, Lagaan in 2002 and Kannathil Muthamittal in 2003) the most ever by any composer.
A.R. Rahman combined the usage of technology and music. However, this usage of technology in music is sometimes dubbed as excessive and injurious by other music composers. But lately, Rahman has been successful in transcending such criticisms by creating his own style of composition by a symbiosis of the best elements of technology and the Indian classical instruments.
When Rahman arrived onto the Indian music scene with his first film Roja (1992), the music industry in India was going through a crisis with the retirement of older music composers and the lack of innovation in Indian film music. Roja was a massive hit, and Rahman followed it up with a number of other extremely popular films, including Bombay, Dil Se and Rangeela. The huge sales of these albums prompted movie producers to take film music more seriously. Today, Rahman is widely considered as the man who single-handedly revived public interest in Indian film songs in the 90's. The main reason why his songs were so popular was because everyone liked westernized Indian music.
Rahman's work is also unique in the fact that his collaborations with a few movie directors have always resulted in hugely successful albums. In particular, he has worked with Mani Ratnam on eight movies (until 2004) (see list of movies by Mani Ratnam featuring A R Rahman), all of which have been musical superhits. Also notable is his collaboration with the director Shankar (Gentleman, Kadhalan, Indian, Mudhalvan, Jeans and Boys).
Missing image
Arr-weber.jpg
Lord Lloyd-Webber with A.R. RahmanHe made an album Vande Mataram (1996) on India's national song. Recently, he also came up with an album called Jana gana mana, a huge conglomeration of performances by all the leading exponents/artists of Indian classical music.
Lord Lloyd-Webber, a well known composer of musicals, was impressed with Rahman's unique style and therefore hired him to compose his maiden stage production Bombay Dreams (2002). This play was well received in England and opened him up to new vistas in Hollywood. Currently (as of May 2004) Rahman, along with the Finnish folk music band Toronto in March 2006.
Rahman received more international attention with this article (http://www.time.com/time/columnist/corliss/article/0,9565,1013198-1,00.html) in the [TIME] magazine. -
his only fans has to be the deaf..
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certainly not beethovenOriginally posted by stellazio:his only fans has to be the deaf.. -
A.R. Rahman combined the usage of technology and music. However, this usage of technology in music is sometimes dubbed as excessive and injurious by other music composers. But lately, Rahman has been successful in transcending such criticisms by creating his own style of composition by a symbiosis of the best elements of technology and the Indian classical instruments.
His heavy usage of technology was in ithe early and mid 1990s.
I think iy the millenium, he used more classical and traditional music. -
Thank you for the useless info, so you feel good having made this post? And have you checked the number of views for the topics in your forum?Originally posted by signup:His heavy usage of technology was in ithe early and mid 1990s.
I think iy the millenium, he used more classical and traditional music. -
U cud be charged... by wat i dunnoOriginally posted by SumOne:Thank you for the useless info, so you feel good having made this post? And have you checked the number of views for the topics in your forum?